A listing of early music in
Cambridge, UK,
with a few other selected items of note, with a page of
Musical links and
Where shall I eat?
Notes for this listing can be found at the bottom.
| 2021 | time | place | style | series | title | performer | details |
|---|---|---|---|---|---|---|---|
| Wed 21 Apr | Howard Theatre, Downing | Renaissance | CEM | Her Infinite Variety |
Elina Mustonen | Women of Shakespeare in Words and Music Postponed
| |
| Thu 6 May | Trinity CC | Renaissance | CEM | Let my people go | Marian Consort | Renaissance protest songs with English & Portuguese music by Lobo, Cardoso, Morago, Tallis, Byrd & White | |
| Fri 7 May | Trinity CC | Renaissance | CEM | 16th & 17 century Polish repertoire | Echo | ||
| Sat 8 May | Trinity CC | Renaissance | CEM | Music from the New World | De Profundis | Mexico and Guatemala Works by Francisco López Capillas, Juan Gutiérrez de Padilla & Pedro Bermudez | |
| Mon 24 May Sat 29 May | On-line | Beer | CAMRA | Cambridge Beer Festival | Provisional dates | ||
| Sun 25 Jul Sun 1 Aug | Benslow Music | Summer School | CEM | Dresden: The Musical Melting Pot | Parley of Instruments | Baroque Summer School | |
| Sun 1 Aug Sun 8 Aug | Benslow Music | Summer School | CEM | The Triumphs of Maximilian | Courtiers of Grace | Renaissance Summer School Music from the time of Emperor Maximilian I | |
| Sun 31 Oct | 02:00 | Britain | Summer Time | British Summer Time ends | Clocks go back an hour. | ||
| Thu 9 Dec | Lt St Mary's | Baroque | CEM | The Joyful Mysteries | The Bach Players | TBC Nicolette Moonen (violin) & Pawel Siwczak (organ) Heinrich Ignaz Franz Biber (1644–1704) wrote 15 Rosary Sonatas, 5 of which make up he Joyful Mysteries | |
| 2022 | time | place | style | series | title | performer | details |
| Wed 20 Apr | tba/tbc | Baroque | CEM | Her Infinite Variety | Elina Mustonen | Women of Shakespeare in Words and Music TBC |
The information here is liable to be updated at short notice,
as events are discovered, often hanging from church railings.
It is the intention that this provides as complete a listing of early music
in Cambridge as I can manage.
Please follow the links to the original information, which may be more accurate.
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